黑上帝白魔鬼 Deus E o Diabo na Terra do Sol

3.5 The composer of the film, Sérgio Ricardo, went on to make several feature films on his own in the 70s. One of which is called The Night of the Scarecrow and in my opinion is better than this apparently much more well known classic. The musical vibe in both are very, very similar, and there's similarities with regards to the themes of class struggle, poverty and exploitation, religion and cult, and masculine showdowns that won't end well. Yet that one is lot more bonkers with much crazier camera movements and easier to follow narrative. This one pans slowly and riddled with symbolism, still happy to have seen it in restored form on big screen.

居然提前预告了格瓦拉的终幕

8.3 这是一部怎样的电影？首先它是粗糙的，令人眩晕的手持镜头穿梭于人间的疾苦，满眼的荒芜抽空了所有的温柔；而随着这粗砺而来的便是暴力，剥削的影像与神经质的音乐都在刺激着观众的神经，更别提这随处可见的烧杀掠夺；与此同时，它又是完全颠覆的，吟游诗人的讲述赋予了暴力之余如西部电影般的田园颂歌，而宗教圣人的喧闹狂热与杀戮魔鬼的愈发平静也形成一种极度反差的鲜明的对比；最后的最后，它自然是激进的政治宣言，用爱森斯坦式吞噬人心的大特写撰写拉美大地上的永恒悲剧，创造独一无二的语法与外界的威权分庭抗礼，颇有实验电影的姿态。

做成图片故事更好一些？

#World Cinema W3# 第一次感觉电影是一种邪教，这部巴西新浪潮独树一帜，民粹主义、热带主义、反自然主义，把现代生活、神话、寓言、西部电影结合在一起变成大杂烩，呈现出一种野蛮生长反抗的态势